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This is a grand presentation by Nova that was directed and produced by award winning filmmaker, David Breashears, and Liesl Clark. Narrated by Jodie Foster, the film explores the high altitude climbing experience and the effects of hypoxia, lack of oxygen, on the brain. In order to do this, scientists will track four climbers, as they tackle Everest, among them David Breashears and Ed Viesters, two of the world’s reknowned high altitude climbers. With baseline tests having been conducted stateside, the effects of altitude will be measured, as they climb the highest mountain in the world.
Asides from the filming of the scientific tests conducted to provide information on the effects of altitude, there is spectaculatr footage of Everest and its environs. There are breathtaking views of the Khumbu Ice Plunge and the immense expanse of the Western Cwm. The viewer also gets to peer what a bottleneck on Everest looks like. It is radiant astounding to come by crowds and congestion in such a tall and remote space. It is also disconcerting to peer the amount of trash that is left unhurried, creating environmental concerns where, until fairly recently, none had existed.
Along their trudge, the climbers near across the ghastly remains of a climber who did not develop it. They also approach to the final resting residence of the gradual expedition leader, Select Hall, who froze on the mountain, when he refused to leave the side of his friend and client in order to set aside himself, during the 1996 Everest effort. The viewer sees unprejudiced how lonely and remote that final resting state is.
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When the climbers summit, the viewer is treated to a spectacular vista from the top of the world with resplendent snow capped peaks peeping through fluffy clouds. With this ascent, Ed Viesters becomes the first non-Sherpa to have reached the summit of Everest five times. Unfortuantely, one of the other climbers, who reached the summit, became quite ill from the effects of altitude. Yet, all descended safely. Later, additional tests would allege that Ed Viesters, who routinely makes high altitude climbs without the consume of oxygen, has had portions of his brain affected. The scientists, who conducted the tests, would like to check support with Ed Viesters over time for a follow up.
All in all, this is a very keen and informative film, with breathtaking cinematography. As a DVD, it offers chapter search, terminate captioning, a link to Everest: The Death Zone website, and Dolby Sound. It is radiant worthy a basic DVD with nothing care for other than the film itself, which is first rate.
I too have seen a number of everest films, as well as having read a number of mountaineering books, such as K2: Triumph and Tragedy, and of course, Into Thin Air. This documentary captures the essence of a climb better than any other I have seen. Its focus is on the effects of high altitude on the climber’s mental skills and decision making ability, but you regain wrapped up in the drama of the climb proper along with this. The drama involves one of the climbers who starts out with a still cough in imperfect camp, but progressively gets worse as he climbs highter, till he is on the brink of death. And none of it is a dramatized recreation, but the valid thing. From bad camp, to each of the camps (I, II, II and IV on the South Col), you are accurate alongside the climbers as they progress, then retreat, progress again, and become acclimatized. Breathtaking views from each of these camps are shown, as well as the summit, and you really earn a feel of being there with them. This is the first film I’ve seen a film that has shown the South Summit and the Hillary Step up stop, but on a somber impress, you glimpse where Recall Hall spent his last hours arrive the south summit. Before this film I could only imagine what these points on the mountain looked like. Compared alongside the everest IMAX film, this is simply establish together and organized noteworthy better, with a moral sense of what it is like to be on the mountain and struggle with the climbers. I tell the IMAX film was Breashear’s warm up film for everest, and this was the result of a year’s reflection on how remarkable better it could have been, and it succeeds admirably.
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